On set — as with life in general — every second counts. When your shooting time shrinks yet your shot list keeps growing, that’s even more true, and working with the right people becomes paramount. We’d need a moderate crew footprint on set, so we found people who were either the best at what they do — or could wear multiple hats. So it was that 8 seasoned senior talent, 1 prop/wardrobe stylist, 2 hair/makeup artists, 2 trusty assistants and 1 highly organized photographer/director set out to capture 8 key lifestyle concepts and additional library assets over one day…
A collection of curiosities by photographer/director and storyteller Adam Ryan Morris.
We recently directed a day-in-the-life-style anthem video for the studio of painter and commercial illustrator Bigshot Robot. If there’s one thing we think of when we see Bigshot Robot’s work, it’s his fluid style. Those curvy lines! So, in approaching the camerawork, we opted for the buttery smoothness of a Freefly Systems Movi to reflect his work. (Freefly makes our favorite gimbals — you can even run like mad next to a bicycle and still get silky, stabilized shots.) Bigshot Robot — aka David Zimmerman — reflects the kind of passion and heart we look for in clients of…
Our short documentary of 83-year-old illustrator Joanna Poehlmann has won a spot in the 2018 Communication Arts Photo Annual! This is the fourth time in the past six years that our work has been awarded by the creative industry’s bible alongside a few dozen of our heroes. This year the jury picked 127 projects from nearly 3,500 entries. Wow.
Back in February, Surface magazine invited my team and I into what felt like the eye of a hurricane. We spent a rapid-fire morning making portraits and videos of Chicago-based artist Nick Cave as he prepared for a trio of New York-bound exhibitions, two of which would open simultaneously and the third shortly thereafter.
After seeing a snapshot of this wall in her living room, I just had to learn more about Joanna Poehlmann.
Maybe I shouldn't have been so surprised to find myself on a sound stage directing young adults through the nuances of acting passed out. There's a first time for everything, right?